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Effie, a film based on the relationship between Victorian poet and artist, John Ruskin and his unfortunate wife Effie Gray will go into production next month. The film is written by Emma Thompson who will also play Lady Eastlake, and the Oscar-nominated Carey Mulligan will be in the starring role of Gray.

Richard Laxton is directing and Thompson’s husband, Greg Wise, is to produce the film and play the part of Ruskin. According to thefancarpet he and Thompson asked Mulligan to take the part before her success in An Education:

“Carey has a rare quality of being open and unfettered. At the time Effie said she would have borne anything, had Ruskin just been kind. But I can’t play him as an ogre because the audience need to understand why she married this man.”

Ruskin and Gray’s unconsummated love affair will be central to the plot of the film. United on his wedding night in April 1848 with Effie Gray, the girl who had been the object of some of his most beautiful writing during their courtship, Ruskin suddenly realizes he has made a mistake and postpones the consummation.

Source

This first official poster for “The Electric Slide” has been released featuring Carey and Ewan McGregor as well as the official poster for “Effie” which you can view here (Carey isn’t featured in it). Thank you Ann for the tip.

Collider.com also provided the synopses for “The Electric Slide” and “Effie“:

The Electric Slide tells the true story of suave hipster and celebrity-magnet Eddie Dodson, who in 1980s Los Angeles owned and ran one of the city’s most stylish art deco furniture stores. Celebrities flocked to buy the latest pieces and Eddie was living the high life along with the Hollywood elite.

John Ruskin – the renowned art critic famously dubbed “The Greatest Victorian” takes young Effie Gray as his wife. Effie is twenty years younger and her expectations of marital love are confounded by her husband’s bizarre and troubled personal behaviour. She must also contend with Ruskin’s controlling and snobbish mother. In an attempt to redraw their relationship, Effie and John move to Venice so John may continue his work as Effie seeks solace in the beauty of the city and its people. Venice does little to relieve the stress of their already fragile relationship, and so the unhappy couple move to Scotland accompanied by Ruskin’s protégé, the handsome artist John Everett Millais. As Millais witnesses Ruskin’s disdain for Effie and how truly disconnected the couple are, he begins to feel for her in a way that her husband cannot. Effie must attempt to escape her poisonous marriage without alerting the scandal mongers and attempt to secure romantic fulfillment in the arms of her husband’s young artist friend.